The following is just an auto-analysis of a few composers in Indian cinema. Situations that are tentatively same have been dealt by several composers. This is just an instance where in you can make your own views and thoughts on the composers by taking a look at these songs. Please note that the situation of every song here is quite similar.
Composer : A.R.Rehman
The above song from 'Meenaxi' emphasises the social status of women. A.R.Rehman includes his modern orchestration to assist M.F.Hussain in bringing the above stipulated feel.
Composer : A.R.Rehman
The above song from 'Meenaxi' emphasises the social status of women. A.R.Rehman includes his modern orchestration to assist M.F.Hussain in bringing the above stipulated feel.
composer : Ilayaraja
'Isaignani' Ilayaraja tries to convey the involved emotion in his traditional tone thereby restoring the same feel and adding beauty to this song from 'Nayagan'.
composer : Yuvan Shankar Raja
Yuvan rythmically reaches the lower class audience in a very realistic way with a commonly used tempo having a clearly defined tune as a base. This enhances this song from 'Pudhupettai' to completely quote a similar feel, importantly with minimum lyrics.
composer : Vidyasagar
The fast tempo song was composed by Vidyasagar and his 'diferent' manner of including the beats clearly indicates a 'different' touch. High amount of pitching patched up with pace compositely carry the comfort feel.
For further discussions, people may give their comments and varying opinions(if any).
Posts
